A Hero’s Journey Experiment

by Naomi | Dec 23, 2014 | Creative Life

A few years ago, I made a decision that changed my life. Even though I had a BFA in Theatre Arts and was pursuing an MFA in Writing for Children,  I felt like someone pretending to be an artist. All around me, highly creative people produced inspired work. I was the ugly step-sister craftsperson. I worked hard, sure, but I was also too careful, too structured. While my work was adequate, lightning wasn’t striking.

I’d hit my natural ceiling. Without drastic action, I wasn’t going to grow. The moment that actually pushed me over the edge was an editor reading my manuscript and telling me, “You’re not writing what you need to be writing. This story is well-written, sure, but you–you’re not in here.”

Why was being an artist so important to me? To me, living life as an artist meant risking asking the big questions. It meant stretching to my outer limits and beyond. It meant seeking truth in the hopes of shining light for others. My role models, Madeleine L’Engle and C.S. Lewis, had both done this with their work. Their fiction and nonfiction had reached out of the pages of their books and challenged me to live a bigger, a more meaningful, life. No one could guarantee that my work would have this significance, I knew. However, if I only dipped my toe into the creative ocean and never dared to dive in, well… my work would never have more than toe-dip impact.

At the time, I was writing my creative thesis on the importance of play in the creative process. I’d been approaching this task intellectually, squishing every last bit of fun out of my play. I was trying to force myself to act like an artist, all the time becoming less and less inspired. So, I wrote to my graduate advisor and announced, “I’m going to write a play, a hero’s journey, about my process of learning how to play. I’m going to start now.”

She responded: “Cool!” and then, “Are you sure it will work?” I wasn’t, to be honest. But I assured her it would. In the end, committing to the process was what made it work. I wrote the play and produced it. Through the process of journaling, shaping the story, rehearsing with the cast, creating costumes, sets and choreography, composing music, and learning how to edit video, I battled some of my deepest challenges: perfectionism, the need for control, and the search for my unique voice in the sea of creative voices in the world, to name a sampling.

After the play ended, though, I felt at odds. I’d been engaging with life in a new way, but after we finished the production, I slipped back into life as usual. My old habits returned, stomping down those fresh shoots of artistry that had started to sprout.

Fast forward to December 2014. My inbox was being bombarded with offerings of goal-setting courses and books. I watched some of the videos and listened to two very insightful books, The One Thing by Gary Keller and Essentialism by Greg McKeown. I went through Donald Miller’s Creating Your Life Plan. As pieces fell in place, I realized I needed a practice that combined the inner work I needed to do with my outer goals, work and otherwise. We are not simply what we do, but what we focus our energy on day in and day out can’t help but affect who we become.

What I needed was a new hero’s journey. So, I made another decision. I decided to try a hero’s journey experiment this year. I’m going to share some thoughts along the way here, on my blog, because I know a travelogue can often help a traveler experience sights and experiences on a deeper level. Perhaps my travels will inspire you to ask a new question or to try an experiment of your own. We’ll see what happens together.

Here’s how I’m setting out.

I put together a journal in which I reviewed key successes from last year, as well as habits and thinking I need to let go. I added pages where I can map out the journey and take notes along the way for each stage. One tool I knew I’d need was a symbol to help me transition from stage to stage. I bought small coins, and plan to drop each into a fountain or wishing well as I say goodbye to one stage and hello to the next. Also, to keep myself open to the possibilities, I’m collecting one thought per day in my hero’s journey book. For instance, when I’m Listening for the Call, I’ll write down one word or phrase per day. Then, when I come to the end of the month and am ready to Cross the Threshold, I can review the cards to see what pattern emerges from the sum of those days.

I started, of course, with Ordinary Life. What does that mean? I’ve been working on noticing where I am, right here and now. I’ve been organizing and decluttering my spaces, making room for whatever might be coming next. Another focus has been on building healthy habits such as exercise and blocking off regular time for writing. I’ve been practicing saying no, when appropriate.

I’m planning on tossing my first coin into a fountain around January 1. Then, it will be time to start Listening for the Call. I can’t help but believe that something extraordinary might show up. In any case, I know that by committing to the journey, I am engaging with life. I’m living the artist’s life.