When I look at a finished artwork, I tend to assume the artist saw the work that way (polished, complete, refined) in their mind ahead of time. The longer I’m a writer, and the more I explore art-making of all kinds, the more deeply I understand the untruth –and unhelpfulness – of this assumption.
Every book I’ve ever written has surprised me. Every book has changed through the process of drafting and revising. And not just little changes. Huge, structural, 180 degree kinds of changes.
What if, instead of waiting until I have a clear vision, I started making art right from where I am today?
A couple weeks ago, I attended a mixed media art journaling class. To start, we laid a foundation of gesso, which is a thick white paint. Then, we wrote in the gesso with a skewer, just free-form thoughts. Then, we used a hair dryer to dry the layer. At this point, unless you looked closely, you couldn’t see a thing. Next, we chose three colors and lightly rolled a paint roller across all three paint dabs. Then, we rolled the colors onto the page in no particular pattern. Again, we dried the layer. And on and on it went, blindly for the most part. We built on the colors and patterns that showed up on the page, and an artwork started to emerge.
As I worked, I thought about improv. At Society of Young Inklings, we use an improv based approach called Writerly Play to help writers get out of their heads and into their natural, spontaneous thinking. The reason we often don’t know what to write, or think we don’t have ideas, is that we’re searching for a finished idea, one we can see fully from the outset.
Despite the fact that I teach Writerly Play all the time – I literally wrote the book on it – I forget in my own work, whether I’m writing or painting or playing guitar, that art is made in layers. I try to see the work ahead of time. I don’t allow myself to try a new art form because I look at finished examples and have no idea how to get from novice to artist. But if art is made in layers, it’s okay for me to be a novice. The first layer doesn’t even have to be visible.
Here’s how I’m going to try building my work in layers.
- I’ll start by playing with supplies. Paint, words, instruments, a camera (via my phone). I’ll explore possibilities until something catches my fancy.
- When something does catch my fancy, I’ll turn my attention to that idea and add a layer.
- After allowing the layer to settle (or dry, depending on my medium) I’ll add another layer. And another.
- I’ll keep going until my artwork is ready to show to someone else, to gain outside feedback.
- Then, I will return and keep working. Some layers will cover up ideas, some will add new ideas, but even the imprint of past work will be part of what is ultimately created.
- And at some point, I’ll pronounce the work finished.
Doesn’t that sound like an interesting experiment? I think this process can work whether the artwork is a song or a collage or a book. Following these steps will cause me to start earlier, work more intuitively, and come up with work that has richness and depth.
I can’t wait to try it. Anyone with me? If you are, let’s chat about what we discover. Share below, or on social media, wherever you want to engage. I’m @naomikinsman, and Naomi Kinsman on Facebook.
